POPLIVE project leader Erik Hitters co-edited a special issue on the festivalisation of live music for the International Journal of Music Business Research (IJMBR). The issue was published in October 2020, including a contribution from Hitters and his fellow POPLIVE researcher Martijn Mulder.
“Livemuziek is leven. Het is een medicijn, een soort van therapie”
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Waarom bezoeken we popconcerten en –festivals? En hoe vaak doen we dat? Wat is het favoriete poppodium van de livemuziek consument, en het favoriete festival? Hoe denkt de concertbezoeker over smartphonegebruik tijdens de show? En storen we ons tijdens concerten nu echt massaal aan kletsende medebezoekers? Martijn Mulder van POPLIVE zocht het antwoord op deze en andere vragen en heeft de uitkomsten gebundeld in Het Grote LIVE Publieksonderzoek.
The increasing popularity of tribute acts in pop music: is it just a form of ‘babyboomer-entertainment’ or is it the new cool thing for younger generations? How do music venues and the audience think about tribute acts and how does the future of tribute look like? All this and more is discussed in the POPLIVE Tribute Podcast.
As part of the POPLIVE project, Martijn Mulder investigated the current state of the Dutch live music industry, more specific the most common stagers of live music: dedicated venues and festivals. Based on interviews with directors of both venues and festivals in Dutch cities, several themes were extracted and analyzed. The papers written on the basis of these data are currently under review. This blog gives a sneak preview of the results.
The impressive music venue TivoliVredenburg in Utrecht (NL) was the location for the Dutch national conference on music venues, festivals and events on October 2, 2019. POPLIVE participated in three panels during the conference that was organised by our project partner, the Dutch association of music venues and festivals (VNPF). This blogpost presents our contributions to panels on nightclubbing, risk and trust in live music, and urban pop music policy.