Het grote LIVE publieksonderzoek [Dutch live music audience research]

“Livemuziek is leven. Het is een medicijn, een soort van therapie”

 

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Waarom bezoeken we popconcerten en –festivals? En hoe vaak doen we dat? Wat is het favoriete poppodium van de livemuziek consument, en het favoriete festival? Hoe denkt de concertbezoeker over smartphonegebruik tijdens de show? En storen we ons tijdens concerten nu echt massaal aan kletsende medebezoekers? Martijn Mulder van POPLIVE zocht het antwoord op deze en andere vragen en heeft de uitkomsten gebundeld in Het Grote LIVE Publieksonderzoek.

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Pop music venues and festivals: opportunities and threats

As part of the POPLIVE project, Martijn Mulder investigated the current state of the Dutch live music industry, more specific the most common stagers of live music: dedicated venues and festivals. Based on interviews with directors of both venues and festivals in Dutch cities, several themes were extracted and analyzed. The papers written on the basis of these data are currently under review. This blog gives a sneak preview of the results.

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Nightclubbing, risk and policy making at Dutch live music conference

The impressive music venue TivoliVredenburg in Utrecht (NL) was the location for the Dutch national conference on music venues, festivals and events on October 2, 2019. POPLIVE participated in three panels during the conference that was organised by our project partner, the Dutch association of music venues and festivals (VNPF). This blogpost presents our contributions to panels on nightclubbing, risk and trust in live music, and urban pop music policy.

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Poplive at Vienna Music Business Research Days 2019

How do risk and trust impact the work of businesses in the Dutch live industry? That was the subject of Poplive’s contribution to the 10th Vienna Music Business Research Days (VMBRD), from September 11 till 14 at the University of Music and Performing Arts in Austria’s capital. Poplive researchers Erik Hitters and Martijn Mulder presented their paper at the conference track day, among over 15 other music business scholars from all over the world.

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