How Popular Music Programmes at Higher Music Education Institutions Create Professional Musicians

Over the past decades, we have seen an increasing number of popular music programmes at higher music education institutions (HPME programmes). How do both students and teachers perceive such programmes and to what extent do they contribute to the career development of musicians? POPLIVE researcher Rick Everts published a research article on this topic, co-authored by Pauwke Berkers and Erik Hitters. In their study, they conclude that the main benefits that these programmes are perceived to offer concern the development of a set of necessary competences, the establishment of industry relationships and the acquisition of symbolic resources. In line with the ‘normative value’ perspective on professionalism, a norm of expertise is promoted, and in line with the ‘power struggle’ perspective, these symbolic resources help to foster a professional identity, both of which are believed to help students to stand out from musicians without forms of formal education entering the market.

The article can be found here

POPLIVE research in podcast series The Live Coaches (Dutch)

The Live Coaches is a podcast series in The Netherlands hosted by Vincent de Raad en Melanie Esther. They interview people from the pop music sector with the goal to help (emerging) artists to learn more about performing live. In the first episode of the second season, POPLIVE-researcher Martijn Mulder explores live performance in pop music from a scientific context. Based on his research on venues and festivals and on how the audience members construct their experience of the concert, he explorer how academic research can benefit the daily practice of doing gigs. The podcast can be found here and on Spotify. 

PhD defence Rick Everts: Making a Living in Live Music

POPLIVE researcher Rick Everts successfully defended his dissertation ‘Making a Living in Live Music‘ on Friday 17 February 2023 at Erasmus University Rotterdam. Within the POPLIVE project he studied early-career pop musicians in The Netherlands. Ahead of his PhD defence, Rick has been interviewed by Dutch news radio De Nieuws BV (Radio 1). The interview can be found here

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Pop music as a superstar economy – IMBRD conference

To see a Bruce Springsteen concert in the Netherlands in 2023, the cheapest tickets cost €115. Nevertheless, when the ticket sell started there were more than 200,000 people queuing online. At the same time, however, many small and midsize venues are struggling to get their tickets sold in the post-Covid era. In their contribution to the 13th International Music Business Research Days in Vienna, POPLIVE researchers Erik Hitters and Martijn Mulder presented their study on the phenomenon described here: the superstar economy.

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Vrouwen en Nederlandse artiesten grijpen de macht op de festivalpodia

[for English see below]

 

Vrouwelijke en Nederlandse artiesten zijn aan een sterke opmars bezig in het Nederlandse festivallandschap. Bij meer dan een derde (34%) van alle muziekoptredens op de festivals stond een vrouwelijke artiest op het podium en dat aandeel was nog nooit zo hoog; in 2016 was het nog 18%. Nooit eerder stond er bij een groot Nederlandse festival bij meer dan de helft van de programmering een vrouwelijke artiest op het podium, in 2022 was dat wel het geval bij drie festivals: Best Kept Secret, Motel Mozaique en Welcome to the Village. Deze en andere resultaten over de line-ups van onze grootste festivals is te vinden in dit rapport.

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The effect of COVID on visitor motivations of pop concerts

After two years without live music in the Netherlands, most COVID restrictions were lifted in spring 2022 and live concerts returned with a record number of concerts planned during the year. However, as live music is audience-centered, it is important to consider how the pandemic has affected demand for the live music industry. Commissioned by POPLIVE, Master student Kevin Belzer gained insights into how the pandemic has affected visitor motivations of popular live music attendees by answering the question: What is the effect of the COVID pandemic on the visitor motivations of pop concert attendees?

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Looking back at the successful IMBRD conference in Rotterdam

POPLIVE organised the 12th International Music Business Research Days on November 3-5, 2021 in Rotterdam. This post provides an overview of the contents of the conference. The link to the online video’s of keynotes and industry panels can be found here. We would like to thank all participants for making this conference a great success.

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The Impacts of Covid-19 on the Live Music Industries

How does COVID-19 affect the live music sector in different European countries? What similarities and differences can be identified between these countries, concerning government support, live music regulations, performance opportunities and the resilience of the sector in general? On March 17th, POPLIVE participated in an IASPM_UK hosted seminar that outlined a sample of some of the academic work that has been taking place both regionally and nationally across Europe since the pandemic emerged. Martijn Mulder presented his paper ‘Music Missionaries: The Dutch live music sector’s responses to the pandemic’. Other contributions came from the UK (Wales, Liverpool, Birmingham), Germany and Norway. The seminar has been recorded and can be viewed here.