How does COVID-19 affect the live music sector in different European countries? What similarities and differences can be identified between these countries, concerning government support, live music regulations, performance opportunities and the resilience of the sector in general? On March 17th, POPLIVE participated in an IASPM_UK hosted seminar that outlined a sample of some of the academic work that has been taking place both regionally and nationally across Europe since the pandemic emerged. Martijn Mulder presented his paper ‘Music Missionaries: The Dutch live music sector’s responses to the pandemic’. Other contributions came from the UK (Wales, Liverpool, Birmingham), Germany and Norway. The seminar has been recorded and can be viewed here.
[for English see below]
POPLIVE heeft bijgedragen aan een positieve noot tijdens Eurosonic 2021, dat vanzelfsprekend geheel in het teken stond van de gevolgen van Covid-19 voor de muziekindustrie. Op zaterdag 16 januari was het panel ‘Het Mooie van de Crisis’, waarin POPLIVE-onderzoeker Martijn Mulder een presentatie gaf over de veerkracht van de Nederlandse liveindustrie tijdens het eerste jaar van de pandemie.
The impressive music venue TivoliVredenburg in Utrecht (NL) was the location for the Dutch national conference on music venues, festivals and events on October 2, 2019. POPLIVE participated in three panels during the conference that was organised by our project partner, the Dutch association of music venues and festivals (VNPF). This blogpost presents our contributions to panels on nightclubbing, risk and trust in live music, and urban pop music policy.