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Posted on November 23, 2018November 23, 2018

RASL publication

For the recent RASL essay publication, Pauwke wrote an article about the POPLIVE project and investigated the Rotterdam live music ecologies. Below you find the link for his article.

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POPLIVE Research project

POPLIVE is a research platform on live (pop)music, working on both academic and applied/sector-related projects. POPLIVE was initiated by Erasmus University Rotterdam and Rotterdam University of Applied Sciences in 2017. The platform was launched with the start of the NWO-SIA funded research project Staging Popular Music, that ran from 2017 until 2023.

Recent Publications

  • Mulder, M. & Hitters, E. (2024). Dancing on a tightrope: Uncertainty, risk perception and trust relationships in the live music industry. European Journal of Cultural Studies, 0(0).
  • Everts, R., Berkers, P. & Hitters, E. (2024). Facilitating Dreams, with a Sense of Reality: Employability in Dutch Higher Popular Music Education. In R. Prokop and R. Reitsamer (eds.), Higher Music Education and Employability in a Neoliberal World (pp. 50-62). Bloomsbury
  • Everts, R., Berkers, P. & Hitters, E. (2024). Licensed to Rock (or so they say). How Popular Music Programmes at Higher Music Education Institutions Create Professional Musicians. Cultural Sociology.
  • Mulder, M. (2024). Festivalprogrammering in Nederland. Editie 2024. POPLIVE